The Albums of Brother André’s Death
Few in number but more substantial in size, these albums focus on the death of Brother André on January 6, 1937. A distinctive feature of these albums is that they often contain articles from foreign newspapers, particularly from the United States, where Brother André frequently traveled.
One of these albums is truly a spicilège in the literal sense of the word: it contains press clippings, letters, and photographs. This is the album of Mr. Richard H. Deschamps. To learn more about this unique album, we invite you to rediscover the article published on the Oratory’s blog in 2017.
Personal Albums
Some people share a special connection with the Oratory. These may include a former employee, a longtime donor, or someone who has been healed and wishes to honor the sanctuary or Saint Joseph.
One of the most beautiful examples from our archives is the album of Mrs. Jeanne Ménard, the first director (leader) of the Work of the Pilgrimage of the Sick (OPM). The OPM was founded on April 5, 1944, with the mission of welcoming the sick who gather at the Oratory on the first Wednesday of each month. Jeanne Ménard organized the volunteer services, supervised the arrival of taxis and buses, purchased wheelchairs and stretchers, and so on. A prominent figure in the welcome of all people at the Oratory, Jeanne Ménard’s album is a precious testimony to the commitment of laypeople to the work of Saint Brother André.
Preserving Clipping Albums
There are many challenges in properly preserving these documents. They are very fragile: over time, pages have torn; in some places, the glue has completely dried out. But the main issue is the poor quality of the newspaper paper. Its acidity is contagious and quickly damages the paper it is glued to. Over time, the album yellows and becomes so dry that the pages can break as soon as they are turned.
Fortunately, today it is possible to access the majority of newspaper articles online, particularly thanks to the Archives nationales du Québec, which have digitized thousands of old newspapers. This allows us to find the information without risking damaging the clipping albums.
Clipping albums are preserved despite all these challenges because they reflect a desire to capture significant events in the history of the sanctuary as they happened. As for the compilations of Jeanne Ménard and Richard Deschamps, their content takes such varied forms that they are in themselves unique pieces, practically works of art.